While teaching, I find myself coming back to English over and over again and thinking about what the discipline is and why we teach it. Looking at the NSW syllabus document and examining the content points becomes useful because I can use it to reframe how I approach things. It gives me ideas about other 'ways into' the subject. If I get stuck while programming a unit of work I'll keep bouncing back to the outcomes and looking at the content points, which contain loads of ideas embedded in them. This also seems to be one of the most effective pieces of advice to give pre-service and beginner English teachers who find themselves stuck for ideas when lesson planning.
On top of this, we also have the English Textual Concepts, which act as a synthesis of the major ideas and methods that have come to exemplify English. These can be incredibly useful when designing an overall unit of work but also have merit when looking at singular lesson activities.
When moving from Primary to Secondary school, students will need to be introduced to English in a new way - a more developed way that will hopefully sustain their growth as critical thinkers and challenge them by placing them in that 'zone of proximal development'. I've been thinking about this and how it can be scaffolded for students with varying degrees of literacy and other additional learning needs. How, for example, can the concept of Literary Value be introduced to Year 7, assuming that this terminology has not yet been mentioned to them in a Stage 3 context?
I think the first step is to break down what 'Literary Value' means in wording that the average Year 7 student will understand. Part of this is reframing the concept in a way that has authentic meaning in a wider context, so I'll swap out 'Literary Value' here for 'Literature'. When I used to work in a bookstore, the term 'Literature' was recognisable as a term with its own connotations separate from 'General Fiction' - a distinction that also extends into the realms of literary criticism, publishing, marketing, and popular review categories in newspapers, magazines, websites, etc. Using this idea along with the English Textual Concepts descriptor for Stage 4-level Literary Value, we can arrive at a workable definition that looks like this:
Literature: Fictional written works, especially those considered to be of superior or lasting artistic merit.
Activity 1: The first step is to place this definition in the centre of a board. Rather than do a mindmap or brainstorm, the teacher should lead a discussion on what each constituent part of the definition means and annotate it. Students should copy the definition into their book first and then add the annotations as you go. This serves a dual purpose - it scaffolds and models the process of determining meaning, and it also teaches the skill of annotating which will become more useful to students as they get older and begin to interact with more demanding texts.
The parts you will need to discuss with students and annotate are as follows:
- What does 'fictional' mean?
- What does 'superior' mean? Who decides what is superior?
- What does 'artistic merit' mean?
- What does 'lasting' mean?
- Note also that 'especially' leaves the process open-ended - what one person determines to be 'literature' may be subjective.
- The age of the book (IE. Is the book 'lasting' in that we still know about it after all this time?)
- Prizes the book has won ('Pulitzer Prize', 'Australian Children's Book of the Year')
- Is the book fiction or non-fiction?
- The last example, Wonder, will be interesting because a lot of students read it in Primary school. In their eyes, this will make it a 'classic' of sorts. This could lead to interesting discussions on whether it may one day be considered a classic in the future and therefore have lasting artistic merit.
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