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Saturday, September 28, 2019

Craft of Writing: Stream-of-Consciousness, Reported Speech, and Anadiplosis

Here is one more installment of some Craft of Writing mini-lessons before the HSC examinations are upon us. These are mini-lessons designed to support students in practising writing craft all year-round. Below are three writing techniques or elements that can be brought into close-up to make the craft of writing more explicit for students. 

Stream of Consciousness 

What is it: In psychology this refers to a person's thoughts and reactions and the way they can be perceived as a continuous flow. In literature it refers to an author's attempt to represent this by an uninterrupted stretch of the character thinking, uninterrupted by dialogue or a traditional narrative.

Example:
  • "Should he cast by type or against type? Uglies in parts that call for beauty, a gorgeous hunk for Caliban? Put them into roles that will force them to explore their hidden depths, or are those depths better left unexplored? Challenge the audience by showing them well-known characters in surprising and possibly disagreeable guises?" - Hag-Seed by Margaret Atwood.
Why use it:
  • Developed by a group of early 20th century authors to put the reader inside a character's head and demonstrate greater depth of characterisation.
  • Can convey to the reader a greater sense of a character's motivation in regards to the narrative.
  • Authors can use it to explore a character's past through glimpses of flashbacks.
Quick Activity: Pick a supporting character from Hag-Seed or The Tempestand write a paragraph (using stream of consciousness) that explores their feelings mid-way through the narrative. 

Reported Speech
 
What is it: There are two kinds of speaking in literature. Direct speech refers to speech that takes place in quotation marks, such as "Hey, what's up?" The other kind, reported speech, refers to a character paraphrasing or reporting what a character has generally said.

Examples:
  • "She's insisting on greenery, she's making him eat kale" - Felix indirectly conveys Miranda's dialogue in Hag-Seed by Margaret Atwood
  • "When the doctors came they said she had died of heart disease." - From the short story 'The Story of an Hour' by Kate Chopin.
Why use it:
  • Allows for the narrator to retain 'control' of the story; what the audience 'hears' is only what the narrator tells them. This can also reinforce an author's attempt to create an unreliable narrator.
  • The author can use reported speech to blend dialogue and action together more seamlessly.
  • Creates a greater distance between the reader and the events of the text, and can help to condense time into smaller amounts of text.
Quick Activity: Pick a segment of The Tempest or Hag-Seed that uses direct dialogue and rewrite it as a short paragraph that shows both direct speech and reported speech.  

Anadiplosis

What is it: A rhetorical form of repetition in which the last word or clause of a paragraph/sentence is repeated near the beginning of the next section of text. The word 'anadiplosis' comes from the Greek word for 'doubling / folding up'.

Examples:
  • "Fear leads to anger. Anger leads to hate. Hates leads to suffering" - Yoda in The Phantom Menace, directed by George Lucas.
  • "It begins, I think, with that act of recognition. Recognition that it was we who did the dispossessing" - 'Redfern' speech by Paul Keating (1992)
  • "Don't blame me, blame me fucking hormones" - Hag-Seed by Margaret Atwood
Why use it:
  • To emphasise the significance of a particular word or idea.
  • The changing placement of the key word or clause in question helps to shift the way a reader thinks of it. 
  • Can show a chain of events / cause and effect when used multiple times in close proximity.
  • Allows writers to sometimes indicate multiple meanings associated with one word.
  • Can make a suggestion or an order more effective when delivered with authority.
Quick Activity: Write a short persuasive speech that includes an example of anadiplosis. This speech should be about why the voting age should or shouldn't be lowered to 16. 

You can find all these together on one handy sheet below:
Happy writing!

Sunday, September 8, 2019

Texts and Human Experiences: The Merchant of Venice

Not too long ago I had the opportunity to present some material relating to The Merchant of Venice within the context of the HSC Texts and Human Experiences Common Module. These resources are a small part of the textbook The Merchant of Venice, which I wrote for Into English at the beginning of this year.

With kind permission from the publisher, I have uploaded these presentation materials here for anyone potentially considering The Merchant of Venice as their Common Module text when teaching Year 12 English next term. This was initially presented in 2019 at the ETA NSW Conference. The version below is an updated/adjusted version that was presented to Aurora College for their HSC Seminar Day in 2022.

The textbook can be purchased digitally or in material form from the following places:
The play itself is, as expected, an incredibly rich and layered text and is actually perfectly crafted as expression of human experiences.

Monday, September 2, 2019

Advanced English: Infographics

My Year 12 Advanced English class is currently quite deep into 'revision mode'. Naturally, the students want to prepare as best they can for the upcoming HSC exams and, naturally, I want them to do this by writing as many practice responses to essay questions as possible. We're currently meeting about halfway on this and, in the spirit of preparation, I hoped to provide a useful overview that summarised some of the key concerns of the modules and the prescribed texts. 

Below you will find some graphic organisers for Common Module - Texts and Human Experiences: Nineteen Eighty-Four and Module A - Textual Conversations: The Tempest & Hag-Seed. As they're hand-drawn they aren't as flash as I'd like them to be but I think (as far as first drafts go) that they'll do the job. Apologies for the font on the Module A one - I was experimenting and I guess I won't be using that particular font again!

Download full size Nineteen Eighty-Four
Download full size The Tempest & Hag-Seed



I'm thinking I'll get the students to have a go at looking at their Craft of Writing texts in this fashion as part of their revision too.