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Sunday, May 7, 2023

Author Mentors: Kurt Vonnegut and Context

One of the more interesting developments that occurred in Stage 6 NSW English these last few years was an increased and specialised focus on writing craft. This is encapsulated within the Year 12 Craft of Writing and Year 11 Reading to Write modules, which encourage students to use quality texts as models for their own writing. When we look at these modules closely we can see the way in which they build upon previous wisdom about student writing whilst adding some new parameters. In particular, the idea of providing a focus on creative writing has re-arranged itself around a need to include the disciplines of persuasive and discursive writing, which prompts further reflection when it comes to backward mapping some core skills and ideas into earlier years of high school.

Like many others, I've had to think about the idea of using Stage 5 as a formative ground for considering authors in this same way. I've summarised this as the somewhat dorky term 'Author Mentors', which can be extended into a short unit of work. This approach takes students through four different authors, with each one used to explore and model writing in relation to one of four stages of approaching texts:

  1. Context
  2. Structure
  3. Discussion
  4. Create

Context

The author used for the context lesson is Kurt Vonnegut (from whose work I took the title of this website, funnily enough!). The purpose of this lesson is to explore what context is, how it works, and how students can use their understanding of this concept to approach a text (the text in question being an extract from Vonnegut's famed science-fiction/war novel Slaughterhouse-Five).

Context is a tricky beast because it can sometimes feel like it pulls time away from studying the actual text. With this in mind, it's useful to frame context in general terms and to also approach it (in this case) in a way that Year 9 and 10 students will understand. This means communicating to students the way in which the 'background' of a text can help the reader understand what a text is about. The reader can draw useful conclusions about a novel by connecting the text to the life and times of the author. Examining context will typically involve the following four elements:

  • When: When was the text written and/or published?
  • Where: What society was the author living in when they wrote the text?
  • Who: What sort of person was the author and what were the key events that shaped who they were?
  • Why: What reasons or events prompted the author to write the text?
After considering the above, students should then be asked to read an extract from Slaughterhouse-Five. I like to use a small part of the text that comes about 15-20 pages before the end of the novel. This is accompanied by some straightforward comprehension questions to help orientate the reader and ensure they have a general understanding of the extract, as well as priming them for more in-depth discussion of context afterwards. Questions are as follows:
  1. What is happening in this text?
  2. What is the setting?
  3. What is the backstory for the protagonist (main character)?
  4. What elements of the story let you know these things?
The next step is to look at some contextual information about Kurt Vonnegut. Students read a brief overview of the context of Vonnegut and Slaughterhouse-Five and then rewrite/summarise some information using a basic schema. This means they read the overview and then gather together information that corresponds to the following:
  • When?
  • Where?
  • Who?
  • Why?
The final part of the lesson asks students to reflect upon and consider Vonnegut's context more specifically in relation to the novel. It also requires them to make some connections from text to self and text to the wider world. Ask students to respond to these questions:

Reflect: Look back to your answers to the questions of 'When, Where, Who, Why'. How do they stack up in comparison to what you learned from the novel's context?

Considering Context:
  1. Why do you think this novel is considered by some to be a classic?
  2. Do you think American schools are right to ban it?
  3. What did the extract from Slaughterhouse-Five have to say about war?
  4. What do you think about war? Write 400 words explaining your thoughts.
The above lesson can be found here in these resources:

Acknowledgement: The following material has been adapted and modified specifically for this blog. I would like to acknowledge some of my colleagues (who I no longer get to work alongside but miss all the same!) - Lauren Hage, Ashleigh Galea, and Amra Winter - who also developed some additional material not included here. Hi! :)

1 comment:

  1. Logical approach. Liked the scaffolding which is needed by some students Thanks for sharing.

    ReplyDelete