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Showing posts with label Cris Tovani. Show all posts
Showing posts with label Cris Tovani. Show all posts

Saturday, February 10, 2018

A Monster Calls - Book Annotating


I got around purchasing an entire class' worth of little post-its (which can get expensive) by just cutting up the bigger post-its.
Mid-way through last year I attended the AATE/ALEA National English Conference in Hobart and was particularly taken with American educator Cris Tovani's work on getting students to engage with active-reading. In particular, Tovani spoke about bringing the focus back on reading during a class novel study through the use of independent annotating. She termed these as 'V.I.P.s' aka 'Very Important Points'.

In this lecture, Tovani explained that the students are given a range of coloured post-it notes, with each colour corresponding with a kind of annotation, and the examples she gave from her own teaching demonstrated a wonderful array of student-led discussion points. Inspired by this, I decided to give it a go with a novel study in one of my own classes.

The book in question was A Monster Calls, which I matched up with my mixed ability Year 10 class. Instead of leaving the annotating as homework I decided to eschew the use of comprehension questions in favour of dedicating more time to reading in class, and then letting the students annotate after each chapter was completed with the use of a pre-provided schema to guide them.

Cris Tovani, pedagogue extraordinaire
On this schema I outlined 6 different categories to correspond with the 6 different coloured post-it notes supplied. These were:
  • Connect: Note when something from the book reminds you of something from your life, or something you have seen/read, or connects to a prediction you have made about the novel. 
  • Question: Write down questions you have about the novel as you think them up while you read.
  • Infer/Predict: Flag bits where you have used examples from the text to figure out something in relation to the novel, or have made a new prediction.
  • Conflict: Note parts of the text where conflict occurs (this particular novel study was part of a larger unit on texts that deal with conflict)
  • Monitor: Highlight parts that didn't make sense to you at first, or at all, or words that were unfamiliar to you.
  • Evaluate: This can be your opinion about things happening in the story, things you like/dislike, or just general thoughts. 
The schema can be downloaded here.

A sample from class.
I was surprised (and happy) at how enthusiastically a lot of students got into this. One student seemed to take it as a challenge to see how many flags he could put into each chapter. The upshot of this, besides increased engagement with the text, is that the students were able to use their own annotations to call upon examples to use in their own independent analysis of the novel later on. 

While we're talking about novel study, here are three simple and relevant pointers I've picked up over the last 8 years in regards to teaching novels with mixed ability junior classes:
  • Keep the novels in the classroom. If the students take them home then you might not see them all again, and it becomes difficult for these students to stay on-task in lessons that require them to have the books in front of them if they've forgotten to bring them.
  • For mixed ability classes, read the entire text aloud while the students read along. This will ensure that you can stick to some kind of schedule/timeframe... a novel study can become messy if students are left to read on their own; some will finish the book in the first few days, others will never get past the first few pages. I know there are very strong arguments against this practice, however I was wholly converted last year by Steven Layne's fantastic lecture on reading aloud, which turned out to be perfect for my own Western Sydney context. 
  • Pick a novel of shorter length. The reading ages of junior students vary more the closer they get to senior school, you could have some students who would read a 900 page Game of Thrones novel and others who would need help focusing on finishing one of Roald Dahl's wonderful children's novels. You typically only have 50-70% of a term to get through a novel and the lower ability students will lose focus if they are asked to sustain engagement with an adult-length novel. By all means, extend the more literate students with extra texts that they can read on their own - chances are that they already have a love of reading if they are this literate - but it's also important not to leave the rest of the class behind and to give them every chance of appreciating what reading can offer.
There will be detractors in regards to the above, but keep in mind that there are also students who often get to Year 11 and are able to say, "I've never read a single book, not even in previous years of English when the rest of the class read the class novel". By reading aloud during class time, and ensuring that it's a novel that the whole class can get through, the aforementioned disengaged students will get to Year 11 and be able to say, "Actually, I read an entire book, along with the rest of the class".   

On a final note, I also highly recommend A Monster Calls because it's a poignant, highly engaging read that will prompt discussion and stay with the reader long after it's finished.

Friday, July 21, 2017

Cutting Edge: A Report

Plenary Hall on Day 1
I attended the AATE/ALEA Cutting Edge conference in Hobart about two weeks ago and my head is still giddy with the pedagogical possibilities I experienced there. Each morning, I stepped out into the bracing stillness of the harbour's Southern Ocean air, looked up at the looming snow-specked rockface of Mt. Wellington, and smelt the collective woodfire of the street's chimneys.

The walk to Wrest Point Convention Centre was chilly but the scenery and ambience always made up for it.
View of Mt Wellington from Wrest Point
Where does one start with a conference attended by 1100 delegates, a conference that went for four days, a conference where 260 separate teachers and educational specialists shared their knowledge and ideas with one another? Many times I felt like a kid at a music festival with multiple stages, wrestling with the agonising need to make a decision about which bands to see. Gnashing my teeth whenever I noted that two or three or even four great workshops were up against each other.

Like many other attendees, I was spoilt for choice.

Day Zero: The extended pre-conference sessions gave me a chance to engage more closely with the pedagogy of international speakers Linda Hoyt and Steven Layne, who were both such enthusiastic presenters that one couldn't help but get swept away in the positive and constructive methodology they shared. Dr Layne spoke wonderfully about using feedback and community-styled classroom environments, and modeled how this works by getting those of us who attended the session to generate creative writing pieces and accompanying feedback.

Day One: My highlight for the second day (the first day of the conference-proper) was a session in which South Australian teacher and researcher Sarah McDonald discussed the problematic stereotyping that has contributed to the timbre of boy-focused literacy initiatives in Western education. Her ongoing research was both useful and thought-provoking. Another highlight for the day was the keynote from American high school reading specialist Cris Tovani, who turned the focus back onto the teachers in the room by asking them to consider what it is that makes learning compelling for them, and then showed the lecture theatre some useful strategies to get students interrogating the texts they read for greater depth of understanding - alluding to Super Six-styled skills of connecting, monitoring, questioning, etc.

Cutting Edge talk on the 100 Story Building
Day Two: Wayne Sawyer started the day with his inspiring delivery of the Garth Boomer address on 'Low SES contexts - What could they mean for 'English'". Among the many insightful points made, Professor Sawyer highlighted the concentrations of disadvantage in those of low socio-economic status, asserting that deficiencies in performance within the subject of English are always about class. I'm not going to do justice to his keynote address in the space of a paragraph, however, the inclusion of the Motivation engagement Education (MeE) framework - and it's 'Fair Go' principles - provided a lot of intellectual grist for the audience. Later in the day, I was also fortunate to attend a session on the Seven Steps to Writing Success presented by its creator, Jen McVeity, and in the space of just 35 minutes she managed to convey enough material for several lessons' worth of creative writing instruction. It was fantastic.

Day Three: The last day of the conference was another big one, with Israeli educator Dr. Adam Lefstein sharing his research on classroom practice. Dr Lefstein made the case for repositioning Professional Learning as something that should happen on the job rather than outside it, and spoke illuminatingly about the way discourse shapes our thinking as teachers, as well as the need for educators to focus on positive practice when observing each other (rather than the usual things in the classroom that can go wrong). Dr Lefstein lectured about a lot that really spoke to me, and I can see myself blogging more about him more extensively in the future. The final day of the conference was also the one in which my colleague Kira Bryant collaborated with me on presenting our own materials on teaching explicit creative writing skills in the classroom. I enjoyed it a lot. 

Presenting on Creative Writing strategies
I had to take this photo - I couldn't help myself!
I met so many great teachers at Cutting Edge and learnt a lot of great stuff. I'd like to once again thank the Copyright Agency for granting me a 2017 Scholarship to attend the Cutting Edge conference. I blogged a few times about it, and the links can be found here:


That's Wrest Point on the right
Some links of interest related to some of the presenters can be found here as well:
Linda Hoyt - Excellence in Literacy Instruction
Steven L. Layne - Passionate about Reading
Cris Tovani - Reading Comprehension Specialist
Elizabeth Birr Moje - Dean of the School of Education at the University of Michigan
100 Story Building - Creativity and Literacy for Young People

Wayne Sawyer and Larissa McLean Davies - Investigating Literary Knowledge in English Teachers
Angela Meyer - Flash Fiction
Jen McVeity - Seven Steps to Writing Steps
Rosie Kerin - Write Me: Workshops on English and Literacy
Adam Lefstein - Some useful articles on his research around classroom management and professional learning