Cutting Edge: A Report

Plenary Hall on Day 1

I attended the AATE/ALEA Cutting Edge conference in Hobart about two weeks ago and my head is still giddy with the pedagogical possibilities I experienced there. Each morning, I stepped out into the bracing stillness of the harbour's Southern Ocean air, looked up at the looming snow-specked rockface of Mt. Wellington, and smelt the collective woodfire of the street's chimneys.

The walk to Wrest Point Convention Centre was chilly but the scenery and ambience always made up for it.

View of Mt Wellington from Wrest Point

Where does one start with a conference attended by 1100 delegates, a conference that went for four days, a conference where 260 separate teachers and educational specialists shared their knowledge and ideas with one another? Many times I felt like a kid at a music festival with multiple stages, wrestling with the agonising need to make a decision about which bands to see. Gnashing my teeth whenever I noted that two or three or even four great workshops were up against each other.

Like many other attendees, I was spoilt for choice.

Day Zero: The extended pre-conference sessions gave me a chance to engage more closely with the pedagogy of international speakers Linda Hoyt and Steven Layne, who were both such enthusiastic presenters that one couldn't help but get swept away in the positive and constructive methodology they shared. Dr Layne spoke wonderfully about using feedback and community-styled classroom environments, and modeled how this works by getting those of us who attended the session to generate creative writing pieces and accompanying feedback.

Day One: My highlight for the second day (the first day of the conference-proper) was a session in which South Australian teacher and researcher Sarah McDonald discussed the problematic stereotyping that has contributed to the timbre of boy-focused literacy initiatives in Western education. Her ongoing research was both useful and thought-provoking. Another highlight for the day was the keynote from American high school reading specialist Cris Tovani, who turned the focus back onto the teachers in the room by asking them to consider what it is that makes learning compelling for them, and then showed the lecture theatre some useful strategies to get students interrogating the texts they read for greater depth of understanding - alluding to Super Six-styled skills of connecting, monitoring, questioning, etc.

Cutting Edge talk on the 100 Story Building

Day Two: Wayne Sawyer started the day with his inspiring delivery of the Garth Boomer address on 'Low SES contexts - What could they mean for 'English'". Among the many insightful points made, Professor Sawyer highlighted the concentrations of disadvantage in those of low socio-economic status, asserting that deficiencies in performance within the subject of English are always about class. I'm not going to do justice to his keynote address in the space of a paragraph, however, the inclusion of the Motivation engagement Education (MeE) framework - and it's 'Fair Go' principles - provided a lot of intellectual grist for the audience. Later in the day, I was also fortunate to attend a session on the Seven Steps to Writing Success presented by its creator, Jen McVeity, and in the space of just 35 minutes she managed to convey enough material for several lessons' worth of creative writing instruction. It was fantastic.

Day Three: The last day of the conference was another big one, with Israeli educator Dr. Adam Lefstein sharing his research on classroom practice. Dr Lefstein made the case for repositioning Professional Learning as something that should happen on the job rather than outside it, and spoke illuminatingly about the way discourse shapes our thinking as teachers, as well as the need for educators to focus on positive practice when observing each other (rather than the usual things in the classroom that can go wrong). Dr Lefstein lectured about a lot that really spoke to me, and I can see myself blogging more about him more extensively in the future. The final day of the conference was also the one in which my colleague Kira Bryant collaborated with me on presenting our own materials on teaching explicit creative writing skills in the classroom. I enjoyed it a lot. 

Presenting on Creative Writing strategies

I had to take this photo - I couldn't help myself!

I met so many great teachers at Cutting Edge and learnt a lot of great stuff. I'd like to once again thank the Copyright Agency for granting me a 2017 Scholarship to attend the Cutting Edge conference. I blogged a few times about it, and the links can be found here:

Engaging Writers in the Classroom by Steven L. Layne

Gender and Literacy by Sarah McDonald

Sizzling Starts by Jen McVeity

Write Right: Authentic Engagement with Creative Writing

That's Wrest Point on the right

Some links of interest related to some of the presenters can be found here as well:

Linda Hoyt - Excellence in Literacy Instruction
Steven L. Layne - Passionate about Reading
Cris Tovani - Reading Comprehension Specialist
Elizabeth Birr Moje - Dean of the School of Education at the University of Michigan
100 Story Building - Creativity and Literacy for Young People

Wayne Sawyer and Larissa McLean Davies - Investigating Literary Knowledge in English Teachers
Angela Meyer - Flash Fiction
Jen McVeity - Seven Steps to Writing Steps
Rosie Kerin - Write Me: Workshops on English and Literacy
Adam Lefstein - Some useful articles on his research around classroom management and professional learning

Sizzling Starts

Jen McVeity, the passionate and engaging creator of the Seven Steps to Writing Success

The AATE/ALEA Cutting Edge conference has been a whirlwind adventure these last few days, with bravura performances from international keynote speakers like Dr. Steven L. Lang, Linda Hoyt, and Professor Elizabeth Birr Moje, and brilliant snapshots of the skills and understandings being taught across Australia by our own teachers and educational consultants.

One of the great 'snapshots' I got to experience today was Jen McVeity, the highly-esteemed creator and CEO of the Seven Steps to Writing Success - a model for chunking creative writing into discrete pieces to assist students with digesting skills for future use. The idea here is that:

Repetition makes writing skills into muscle memory.

As the session was a brisk 35 minutes long, McVeity used the time well to concentrate on just one of the 7 skills: Sizzling Starts. 

From the website, a sizzling start is described as "Start where the action is. Not at the beginning of the day where nothing is happening. Begin when the volcano starts oozing lava or as you walk in the door to the big disco competition". McVeity impressed this upon us in around three minutes before letting us try out some sizzling starts on our own. We were given five prompts with a minute each to write our attention-grabbing story beginnings. 

I decided (against my own better judgement) to undertake this activity by hand. 

I would describe my handwriting as resembling something a sloth would write if given a pen for the first time. Keep in mind that this sloth probably doesn't even know what words are. That's how my handwriting looks... I have a lot of trouble reading it even a few minutes after committing it to the page. 

But I digress. Here are the five prompts:

And here are my responses:

1. I burped and fire enveloped the dinner, my mum screaming as tendrils of flame rippled across her best tablecloth as if on a slick of oil.
2. Timmy cried as the shoe spun to a stop in front of him. His best friend Roger had just disappeared forever into the hollow of the tree. With a last gasp of hope, Timmy reached into the black yawning hole in the trunk.
3. My phone exploded once again. It was one of those days - the sort where the car won't start, your computer crashes, and the toilet decides to fill up to the brim rather than flush. I hate technology.
4. I never imagined I would be here, standing on this cliff. I'm afraid of heights but, you know what? A million dollars is a million dollars. Time to bungee-jump.
5. Everyone hated Matt the Brat, especially when they found bits of him in their chocolate bars. Ms. Treving never imagined the excursion would turn out like this. 

As you can see, there isn't much you can get done in 1 minute per response, however, the rapid-fire nature of the activity forced me to keep practising the same thing with little room for drifting off-topic. McVeity compared it to standing in front of the tennis ball launcher while practising your backhand - the ball is aimed right at you so that you only have to practise the hitting of the ball rather than moving around to meet it. The analogy she's making here is that this is the aforementioned scaffolding provided by the prompts and chunking.

Resource from the workshop

I think my last one about Matt the Brat is my best attempt at a sizzling start in the rapid-fire scenario. There's something about humourous cannibalism that works as a great attention-grabber in creative writing. Obviously, I can't start every story with a character ending up in food eaten by other kids but, you know, I think the spirit of a sizzling start is there!