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| A two page spread from Dark Rain by Mat Johnson |
Happy Free Comic Book Day! The first Saturday in May has been the international day for free comic consumption since 2002, making this the 16th such yearly event. In an era of increased concerns over literacy, and the ongoing proliferation of information consumption solely through digital means (IE. The Internet), the humble comic book stands tall as the perfect gateway to reading for reluctant readers. The unique combination of visual and written storytelling in comics creates its own set of narrative conventions that force the responder to engage with several significant aspects of literacy, such as:
- Increasing vocabulary
- Recognising generic conventions (thus allowing the reader to build internal taxonomies of understanding that allow for different kinds of texts to be intellectually categorised according to style, taste, modes, etc.)
- Reading pathways (comics are great for this as they often challenge the reader to engage with different graphic representations that encourage a whole page understanding of the direction the narrative is physically flowing in)
- Multimodal understanding (where the pictures or the text are not able to be understood on their own, in a vacuum, but must instead be brought together for the reader to gleam the full meaning).
In a more holistic sense, comics are said to act as a bridging point between picture books and longer forms of text as far as struggling readers are concerned. The combination of dynamic visual storytelling and easily digested portions of writing allow those with reading difficulties to improve their ability to decode text. Blending the visual and written to negotiate a combined meaning allows the reader to pick up on literacy cues, grammar conventions, narrative structure, and many other aspects of reading that will set them up for increased literacy later in life.
But anyway, putting all this educational medicine aside, there are a lot of comics out there (particularly graphic novels - the longer, self-contained version of the genre) that happen to tell amazing stories in a way that can't be matched in other mediums of communication. Here are 20 great examples of graphic novels for anyone looking to dip a toe in the water (please note that not all would be suitable for teaching - read them first to check):
1. The Gigantic Beard That Was Evil by Stephen Collins
Absurdist with shades of The Truman Show, Pleasantville, and Cloudy With a Chance of Meatballs; Collins' debut uses a high concept (a man in an island community whose beard refuses to stop growing) and spins it way out of control to explore concepts of individuality, conformity, authority, and expression of self.
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| If you did want to teach this text with a class, it would be interesting to get students to look at the function of panel design in exploring the text's ideas. For example, the long and vertical right hand panel depicts the beard spilling onto the floor as if from offscreen. What is Collins trying to say here? |
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2. Blankets by Craig Thompson
Thompson's memoir is heartbreaking and heartfelt, exploring his first experience of love whilst juxtaposing this relationship with a troubled and impoverished upbringing. I challenge you to read this and not shed a tear!
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| Thompson is a master of the close-up, mise-en-scene, and selection of detail. |
3. Dark Rain by Mat Johnson
Full of action and relating to a real life tragedy (the wake of Hurricane Katrina's visit upon New Orleans), Dark Rain would be perfect reading for those wanting to engage reluctant teenage boys with a text that deals with relevant political issues. Relatively short, fast-paced, and featuring vivid characters straight out of an action-thriller film.
4. American Born Chinese by Gene Luen Yang
Luen Yang uses three thematically-interrelated stories in three very different genres (coming of age memoir, Chinese folk tale, and politically-incorrect sitcom) to explore notions of race and identity. This one has potential for English teachers to use as a text that explores the Asian perspective.
5. Safari Honeymoon by Jesse Jacobs
Weird, haunting, funny, and gothic. Whilst Jacobs has a background as an animator on Adventure Time, this one probably isn't suitable for class study. Still worth checking out though!
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| The mundane and the fantastical intertwine in Jacobs' ecological fairytale. |
6. Watchmen by Alan Moore
When most people think of comics they probably think of superheroes. The majority of this list hopefully showcases some of the other genres explored by graphic novels, however, if there's one comic title that uses superheroes to move well beyond the stereotypical in a way that outflanks its peers then Watchmen would be that title. Alan Moore distinguished himself in the 1980s with various stories that pushed the superhero paradigm to its absolute limits (V For Vendetta, Swamp Thing, The League of Extraordinary Gentlemen), but it's Watchmen that perhaps remains unsurpassed in its exploration of how these sorts of characters might have interacted with a real world context - in this case, the Reagan-era Cold War context.
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| Pictured here is Walter Kovacs, whose alter-ego Rorschach represents right wing ideology driven to the most extreme point of moral absolutism. In traditional comics, Rorschach would be a heroic avenger figure, in Watchmen he is both disturbed and disturbing. |
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7. Daytripper by Fabio Moon and Gabriel Ba
Lovingly crafted by Brazilian identical twins Fabio and Gabriel, Daytripper explores the entirety of a life in non-linear vignettes. There would be few readers who aren't impressed by the use here of the episodic narrative to build a succession of twists and details worthy of any example of great art, no matter the format.
8. Maus by Art Spiegelman
Maus is probably the most famous non-superhero comic ever written. Spiegelman uses narrative and metanarrative to explore his father's experiences as a European Jew during the Holocaust, beautifully capturing an authentic voice and managing quite an achievement in depicting an event that often defies our understanding.
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| The horror and intensity of the Holocaust is conveyed in Maus primarily through the use of light, shade, metanarrative, and zoomorphism. |
9. Y The Last Man by Brian K. Vaughan and Pia Guerra
The first title listed here to not be a stand-alone graphic novel, this series takes place across ten volumes and charts the journey of Yorick (reference intentional) as he negotiates his way through the landscape of a post-apocalyptic world where every other man has been killed by a mysterious plague. Brian K. Vaughan manages to take a tired, familiar, and somewhat hokey science fiction trope (a female-led society) and turn it into a genuinely thought-provoking discussion of gender and patriarchy.
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| One of many fascinating ideas that arise in a world suddenly devoid of men is the question of who would become President of the United States of America. In Y The Last Man, the highest ranking surviving politician is the (Democrat) Secretary of Agriculture - a fact that demonstrates the lack of men in the U.S. Cabinet at the time of the comic's publication. In blackly-humourous contrast, the appalling and complete lack of female politicians in the Republican Party leads to an insurgence led by the wives of the now-dead Republican politicians! |
10. Fun Home by Alison Bechdel
Bechdel is probably most famous for devising the 'Bechdel test', a way of assessing the inherent sexism of fictional texts by counting the number of speaking female characters who don't reflect on their romantic statuses during the course of said texts. It's worth noting here that Bechdel is an accomplished writer in her own right, and her memoir Fun Home (whilst inappropriate for the classroom) is expertly constructed and devastating in its bittersweet remembrance of a complicated father. If the graphic novel memoir is a genre on its own standing (and it is) then Bechdel's Fun Home would undoubtedly be one of its key examples.
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| Bechdel's intelligence shines through in her articulate use of intertextuality to add depth to the family dynamics that shaped her upbringing. |
11. Virgil by Steve Orlando and J. D. Faith
Alas, another graphic novel not suitable for minors, Virgil is a violent portmanteau of queer theory and '70s exploitation films. The resulting one-shot Jamaican revenge opus has been christened 'queersploitation' by its authors, leading readers down a lurid path of pink and green as the eponymous gay cop battles Caribbean corruption and homophobia in his quest to save his boyfriend.
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| One of the few panels in Virgil that doesn't confront its reader with an unnatural palette of clashing colours or the intense discrimination that propels the action. |
12. Building Stories by Chris Ware
Chris Ware spent years working on this ambitious project; a multi-layered narrative that comes in a box rather than a bound booklet. In a somewhat metafictional move to extend its commentary on the digitally-driven dehumanisation of our society, Building Stories defies attempts to consume the comic via a PDF scan or even just by sitting and reading it on a lounge. This non-linear and flexible narrative comes via a collection of booklets, posters, broadsheets, and pull-outs; and with instructions that each part should be read in a specific part of the house. In the hands of a lesser writer this would seem gimmicky, however Ware's depiction of suburban life and lifestyle is so simultaneously epic and small that it feels fitting that it should be experienced in a wholly unique way.
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| Even these images don't do it justice. Building Stories is the Sistine Chapel of the comic book medium. |
13. DMZ by Brian Wood and Riccardo Burchielli
This 12 volume series does for comics as The Wire did for television. Wood's vision of a new American civil war is partially inspired by the volatile post-9/11 political landscape of the U.S.A., and centres on Manhattan; a 'demilitarised zone' between the government-run United States of America and the grass roots militia movement that dubs itself the Free States of America. Wood focuses his story on Matty, an journalism intern who finds himself suddenly stranded at ground zero as the only correspondent reporting from the DMZ. The result is a sharply cynical portrait of a potential future to come.
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| Amongst the themes explored by DMZ are freedom of speech, integrity, corruption, surveillance, terrorism, political appearances, and the inherent difficulties in maintaining neutrality. |
14. Little White Duck by Na Liu and Andre Vera Martinez
Like American Born Chinese, the Chinese memoir Little White Duck is another great text for teachers looking to explore the Asian perspective in the English classroom. Na Liu's remembrances of Cultural Revolution China are beautifully rendered by evocatively emotive and attractive artwork. Each chapter deals with a different aspect of growing up under the reign of cultural 'grandpa' Mao Zedong, with Na Liu managing to depict historical detail whilst remaining focused on her own very personal stories, thus grounding a difficult period of history in a real context that should make this tale of Mao's China very accessible for all readers.
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| This panel is especially representative of the looming presence of Chairman Mao in the background of Liu's autobiographical graphic novel. |
15. Aama by Frederik Peeters and Edward Gauvin
Peeters is a surrealist master of the graphic novel and his four-volume epic Aama is a great example of the delightful 'otherness' that permeates European science fiction. Aama combines two familiar science fiction settings (Earth's distant future, and an alien world undergoing rapid and violent change) with the trope of technology run amok, and leaves the reader bewildered by an arresting and dazzling display of visual inventiveness.
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| Verloc Nim, the protagonist of Aama, is bereft of both wit and physical prowess. His only true weapons are his cynicism and refusal to conform - which make him somewhat vulnerable in situations such as the one depicted above. |
16. The Divine by Boaz Lavie, Tomer Hanuka, and Asuf Hanuka
Similar to Black Rain, which I mentioned earlier in this post, The Divine uses filmic narrative conventions to portray a fast-moving story that explores serious subject matter. Set in a fictional South-East Asian country left broken by its colonialist past, The Divine combines Asian folklore with commentary on Western exploitation of the developing world. Content warning: quite violent!
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| The Divine explores the contradictory dichotomy in the Western world purporting to provide aid to undeveloped countries whilst simultaneously exploiting them. |
17. This One Summer by Mariko Tamaki and Jillian Tamaki
In This One Summer the Tamaki cousins have created a wonderfully subtle and moving story of growing up, adolescent angst, and all the things that colour a beach-side family summer holiday. Even though this story focuses on Rose and her family, my favourite character would have to be Windy - Rose's awkward and freewheeling 'tomboy' best friend, who is undoubtedly gay and wrestling with her own coming-of-age alongside Rose's more immediate emergence into teenage-hood. This One Summer is naturalistic in its use of the graphic novel format, with panels that sequentially build on one another in a fairly straight-forward fashion, thus allowing the characters and their experiences to take centre-stage.
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| The nostalgia of the 'tween' years is lovingly portrayed through tiny details. |
18. Persepolis by Marjane Satrapi
Second only to Maus, Satrapi's personal account of Iran's Islamic Revolution offers a unique window into experiences that are at once identifiable but also wholly alien to the majority of Western audiences. The simplistic and cartoonish illustrations lull one into a sense of familiarity that allows Satrapi to treat the reader as a confidante, telling a culturally complex story anchored in compassion and loss.
19. Beautiful Darkness by Fabien Vehlmann, Kerascoet, and Helge Dascher
What Beautiful Darkness lacks in narrative depth it more than makes up in tone, combining the gothic and the cute to create a fairytale that becomes increasingly creepy as it unfolds before the reader. I felt kind of blindsided and gobsmacked by the end.
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| The premise concerns a collection of strange little creatures that emerge from the body of a dead girl to explore the world around them. |
20. Saga by Brian K. Vaughan and Fiona Staples, and Southern Bastards by Jason Aaron and Jason Latour
I've included these two together because, unlike everything else mentioned in this list, these two series are unfinished and still in the process of being published. Saga is currently in its 7th volume, whilst Southern Bastards will see a 4th volume later this year. Neither of these last two examples will be suitable for classroom use
but they're worth checking out just to demonstrate the way that the
Image comics brand is exploring a wide scope of genres with various
quality titles.
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| A meeting of lovers in Saga, demonstrating Brian K. Vaughan's eye for darkly witty juxtaposition of imagery and ideas. |
Brian K. Vaughan and Fiona Staples have collaborated on Saga to create one of the breakout comic hits of recent years. The concept focuses on the daughter of two star-crossed lovers from opposing sides in an intergalactic war, and it moves out from there to encompass a range of memorable characters, themes and subplots: bounty hunters, talking seal pups, romance novelists, TV soaps, drug addiction, pacifism, and a royal family of robots with TV sets for heads. It sounds bizarre, and it is, but it's also very entertaining and you'll no doubt fall in love with the many visually inventive aspects of Staples' character designs.
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| Euless Boss: One mean sonuvabitch! |
Southern Bastards, on the other hand, couldn't be more different - telling a small-town tale of deception and greed where the local football coach, Euless Boss, rules over his corner of the Alabama backwoods with violent and unquestionable power. With only three volumes to its name thus far, it's perhaps too early to talk extensively about themes or where its heading, but nonetheless it stands tall as a great example of the 'rural noir' subgenre and the effectiveness of the comic book format in telling richly layered stories such as this in a memorable and idiosyncratic fashion.
